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3 Sharps: A Major / F Sharp Minor

Three sharps is A major, or F sharp minor. The sharps are F sharp, C sharp and G sharp, and a semitone above the last of them lands on A.

3 sharps

A major / F♯ minor

The last sharp written is G♯. Go up one semitone from it and you have the major key: A major.

FCGA major / F♯ minor

A major scale

A B C♯ D E F♯ G♯

F♯ minor scale (relative minor)

F♯ G♯ A B C♯ D E

The seven chords of A major

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A major scale

A B C♯ D E F♯ G♯

F♯ minor scale

F♯ G♯ A B C♯ D E

Reading it, and a warning about the minor

Applying the rule: the last of the three sharps is G sharp, and a semitone above G sharp is A. The major key is A. The relative minor is three semitones below, which is F sharp minor — and that is the first signature where the relative minor's tonic is itself a sharpened note.

That catches people out. It is easy to count down three semitones from A and land on F rather than F sharp, particularly when reading quickly. The check is that the minor tonic must be a note that is actually in the key: F natural is not in A major, and F sharp is, so F sharp minor it is.

The third sharp and the guitar

A major on a guitar has an open tonic — the fifth string — and the standard A chord is three fingers in one fret with two strings ringing open. Combined with E and D, which are the keys a semitone-count away on either side, A sits inside the cluster of keys the instrument handles most naturally.

F sharp minor does not. Like B minor it is a barre chord, at the second fret, and a piece in F sharp minor asks a guitarist for barre shapes more or less throughout. It is a good illustration of a general fact about the instrument: a guitar's difficulty is determined by chord shapes rather than by how many accidentals the signature contains.

Where it turns up in playing traditions

A is one of the standard keys of American old-time and bluegrass fiddling, alongside G and D. Fiddlers frequently retune for it — the cross-tuning that raises the two lowest strings to A and E, giving open drones on the tonic and the fifth, is a long-established practice in that repertoire.

On the classical side, A major is a comfortable string key for the same open-string reasons as D: the violin's open A and open E are the first and fifth degrees. It is noticeably less comfortable for flat-pitched wind instruments, where concert A becomes B for a B flat instrument (five sharps) and F sharp for an E flat instrument (six).

The scale and its chords

A major is A B C sharp D E F sharp G sharp. Three of its seven notes are sharpened, which is the point at which a signature starts to feel like it is doing real work: nearly half the scale is affected, and a player reading in this key has to hold three raised notes in mind rather than one or two.

The diatonic chords are A, B minor, C sharp minor, D, E, F sharp minor and G sharp diminished. The presence of both B minor and F sharp minor here is worth noting for guitarists — the two barre-chord keys of the previous signatures both appear as ordinary chords within this one, which is why so much guitar music in A ends up using a capo.

The seven chords of A major

Every major key produces the same pattern of chord qualities — major on the first, fourth and fifth degrees, minor on the second, third and sixth, diminished on the seventh. Only the names change.

Questions people ask about this signature

Three sharps is what key?
A major, or F sharp minor. The three sharps are F sharp, C sharp and G sharp.
Why is the relative minor F sharp minor and not F minor?
Because the relative minor's tonic has to be a note that belongs to the key, and A major contains F sharp, not F natural. Counting three semitones down from A gives F sharp.
Is A major hard on guitar?
The major is easy — an open A chord uses one fret and leaves two strings open. The relative minor, F sharp minor, is a barre chord, so pieces centred on the minor are considerably harder than the shared signature suggests.